The Cambridge Introduction to W.B. Yeats


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Catherine Fahy , W. Yeats and Pollexfen; 2.

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First Lover and Mentors [incl. Dowden and Eglinton]; 3. The Contemporary Club [incl. Sigerson, C. Oldham, and J. Taylor]; 4. Katharine Tynan [incl. Matthew Russell and Whit[e]hall, Clondalkin]; 6. Hermeticists, Theosophists, and the Golden Dawn [incl. Boyle, Co. Roscommon]; Lady Gregory and Coole [mostly of Yeats]; Maud Gonne in title role of Cathleen Ni Houlihan ]; John Quinn and Lollie Yeats]; The Established Poet [incl.

Lyster at National Library, with R.

Never Give All the Heart by W B Yeats

Praeger, R. Best, George Atkinson, et al. Higgins with Lennox Robinson, Lord Dunsany]; Contents, 1. The Trembling of the Veil ; 4. Dramatis Personae ; 5. Estrangement and The Death of Synge ; 6. The Bounty of Sweden ; 7. On the Boiler. Selective Bibliography []; Notes on Contributors []; Index []. It then explores how this relates to freemasonry, Celticism and Orientalism and looks at the Blakean esoteric language of contrariety and outline which provided Yeats with the vocabulary of self-understanding: COPAC. Jonathan Allison , ed.

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PART 3. Nationalism and Revolution. PART 4. Yeats and the avant-garde; 3. The theme of homunculus: Yeats and Wyndham Lewis; 4. Yeats and the sublime; Part II.

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Minima elementary particles of modernist poetry ; 6. The decay of symbols; 8. Image Kandinsky, Brancusi, Tchelitchew ; Units of rhythm Antheil ; Ideogram; Vortex; The decay of vortices; Narratives tied in knots; Yeats Oxford: OUP , xii, pp. Nemo the Interpreter 94 Second Interlude. Automatic Performance: Technology and Occultism [] 3. Demon the Medium [] 5. See extracts, infra. Yeats Cambridge UP , xvi, [4]pp. Marjorie Howes, Introduction [1]; 2.

David Holdeman , ed.


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Yeats Cambridge UP , xii, pp. Notes; Guide to further reading; Index. Yeats in Context Cambridge UP , xix, pp. Part II: Places : 6. Karen Steele. Catherine E. Part IV: Themes : Donald J. Phillip L. Reception : Note that the contents of the above listings are not at all points coextensive and should therefore be browsed or searched separately.

See also Steven R. Yeats, supra. Yeats, pp. Such poems can seem a long way from the banners of Moscow and Rome or the violence of church and state. Might modernity appear in a terza rima poem thrilling to the collective birdsong of shades in the afterlife? Yeats , ed. Peter Allt and Russell K. Alspach, corrected 3rd printing New York: Macmillan, , p. All subsequent page references are to this edition. Allan F. Westcott doubts the authenticity of the poem p. Florence S. Boos, 2 vols New York: Routledge, , 1. Eliot New York: New Directions, , p. See W. Yeats: Vol. I, — , ed. Yeats Cambridge: Cambridge University Press, , pp.

See also M. Eliot, W. Clive Wilmer Manchester: Carcanet, Yeats , pp. McCormack, Blood Kindred: W. Day Lewis and L. Dealing with similar materials, Michael Golston, in contrast, aligns Yeats with Pound and Williams as major figures in the development of modernist concepts of rhythm. Finally, Richard Greaves argues against reading the middle Yeats as a modernist. Yeats Basingstoke: Palgrave, Yeats, Later Essays , ed.

William H. Yeats , general ed. Yeats, letter to Peter McBrien, [? November—December ], Yeats, letter to Dorothy Wellesley, 8 February [], Yeats, A Vision ; repr. London: Macmillan, , p. Yeats , X New York: Scribner, , p.

The Cambridge Introduction to W.B. Yeats

Madge later published four more poems from the sequence when it appeared in The Disappearing Castle David V. Erdman, rev. New York: Anchor Books, , p. Steffan, E. Steffan, and W. Pratt London: Penguin, , 3. Thomas P.

Late W. B. Yeats

Roche, Jr, with the assistance of C. It is impossible to say whether or to what extent the poem endorses the soldiers, even as it undercuts them. See Variorum Poems , p. Foster, W. Pat Rogers Harmondsworth: Penguin, , p.


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  8. Yeats, New Poems: Manuscript Materials , ed. Yeats, letter to Shri Purohit Swami, 12 May [], Psalms Yeats, letter to Dorothy Wellesley, 12 May [], Yeats, letter to Dorothy Wellesley, [19 April ], Over that summer he also spent time in Sussex and in London, where he could conceivably have worked on the poem too. Yeats, Last Poems: Manuscript Materials , ed. See Last Poems: Manuscript Materials , pp. All Rights Reserved.

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    Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use for details see Privacy Policy and Legal Notice. Oxford Handbooks Online. Publications Pages Publications Pages. Search within my subject: Select Politics Urban Studies U. Yeats - Oxf History Law Linguistics Literature. Music Neuroscience Philosophy Physical Sciences.

    Late W. Read More. Subscriber sign in. Forgot password? Don't have an account? Sign in via your Institution. Sign in with your library card. Search within Yeats Abstract and Keywords This article examines the relation between the late poetry of W. I Is this modernism? III There are many other ways in which to think about Yeats and about modernism, and some of them appear in the rest of this article.

    Our bourgeois home is wrecked. We seek instead the shadowy consolation Of glimmering alcohol, and still expect The unexpected of our own creation. For we create—proud tyrants of a moment— Bright visions, born between despair and fear, And, in possessing them, survive our torment. Where are the dancing girls? They are not here. Notes: 1 W. Sean Pryor Dr. All rights reserved.

    The Cambridge Introduction to W.B. Yeats The Cambridge Introduction to W.B. Yeats
    The Cambridge Introduction to W.B. Yeats The Cambridge Introduction to W.B. Yeats
    The Cambridge Introduction to W.B. Yeats The Cambridge Introduction to W.B. Yeats
    The Cambridge Introduction to W.B. Yeats The Cambridge Introduction to W.B. Yeats
    The Cambridge Introduction to W.B. Yeats The Cambridge Introduction to W.B. Yeats

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